Shadows dance
across the plate of glass,
intertwined
with the sun’s rays.
The lower panes reflect,
Distort, or illuminate
images of passersby, revealing
reflections, interpretations
of reality—the bright
reflection
of a truck cruising with
more paint and bling
and noise than substance,
the darker slant of
a pony-tailed blonde, hustling
to class, her teal shirt
attempting to mask
the worry and doubt seen
only through the shadowy
reflection.
The breezes shift, and
the enhanced clarity of
the glass captures her
exuberance
for life.
The shuttle pulls up and
blocks the play of light
and dark, freezing
the moment, eliminating
the shifting patterns of
light and dark, capturing
a second where the ever-
changing influences of the winds
die.
This protected moment
shows the scene for what
it is—no guesses,
no façade,
no deceit. But
when the respite
passes, when the bus
pulls away from the hard curb
of reality, the endless
possibilities hidden in the
changing light
come alive.
Sometimes nobody else
notices the flashes
of potential, sometimes we try
to hide
in the inconsistent movement
coming and going
in the breeze, insecure
in the truth trapped in the still
silence of the reflection;
the stillness,
though,
sets the truth free.
So go ahead and make Dustin feel bad....
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