(Taken from http://theodysseyonline.com/montclair-state/easy-steps-overcome-writers-block/335202) |
Lately, I’ve been reading Billy
Collins’ Aimless Love, a collection
of new and selected poems. Thumbing through, a poem or two a day, I came across
one of my old friends: “The Trouble with Poetry” from the collection of the same
title (2005). The trouble with poetry, I re-realized, is exactly what Mr. Collins
says it is—it urges me to write poetry. It doesn’t have to be, nor will it ever
be in most cases, good poetry. I haven’t really written a decent poem for a
while. Some of you may question whether I’ve ever written a decent poem, but I
digress. Last week I attended a literacy conference, which included a
smattering of sessions on poetry, performance, and instruction by educator poets
Georgia Heard and Brod Bagert. Interacting with them just sprayed lighter fluid
onto my ardor to write poetry.
However, and I must add this however in here, the trouble with writing
poetry for me right now is time. I have no time to watch out any window. Even across
the hall from my classroom, the broad glass panes streaked with bird droppings
and hard water stains fail to call to me. I have no time to invite the muses
over for tea or for a cup o’ Joe or Jack or whatever it is they’re drinking
these days. No dainties or doilies or even paper napkins holding store brand
excuses for cookies and flavored sugar water in slightly smashed Styrofoam cups
either.
Several weeks ago, Miss Lee, one
of our math teachers, asked if I would write some examples of Pi-ku—a poem
where each line corresponds syllables (or letters or words) with digits of pi—for
“Pi(e) Day” last Monday (March 14). I jumped at the chance when she proposed
the idea, but I couldn’t even eke out a semi-intelligent 3-1-4 poem by the
deadline, let alone the twenty digits she initially asked for.
So this morning, I am making
time in class, after reading the Collins poem aloud a few times with my
students, to write about trouble. They are writing about the trouble with
waking up first period, the trouble with Mr. Anson’s English class, the trouble
with social media, the trouble with Donald Trump, and the trouble with girls. And
I am writing about the trouble with poetry.
However, during the few precious
minutes I steal each period, after attendance is taken and before students
share their writing, I have not been able to complete any of the poems previously
begun over past months. The ideas in my head repeatedly hit the snooze and demand
“five more minutes” before waking. I’ve managed to stir up few scraps, a few
images that remain clogged in my brain and resurface just often enough to
remind me that the trap needs to be emptied, or at minimum, the filter needs to
be changed.
Images of a cemetery with fall
leaves and lichen creeping over the sandstone, along with an incomplete tribute
to my father appear, as do words of a semi-formed piece pre-titled “Death
Sucks,” which is a phrase I stole directly from Chris Thompson—to be perfectly
honest for a moment—my friend and colleague whose ramblings about the run-ins
with the reaper I jotted down and carried with me in a side pocket of my suit
coat as I participated in more funerals in the past ten months than I have in a
lifetime.
Maybe, if I ramble long enough,
the tip of my pencil will burst into a little flame as I sit here in the metaphoric
dark.
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